Free sample - Advanced research methods. translation missing

Advanced research methods. Advanced research methodsThe issues that these two articles raise are that one; culture plays a major role in influencing a decision of an individual. What could be morally right to a person from one culture could be immoral to another person from a different cultural background. The other issue is that different parts of brains vary in activities when it comes to moral impersonal, moral personal and non moral conditions. This kind of study can be classified as and experiment. This is because people who were being tested, when answering questions were undergoing brain scanning by use of FMRI. In this way, the researcher gets first class information as he is the one who watches the results come out (Joshua D. Greene, R. Brian Somerville, Leigh E. Nystrom, John M. Darley, Jonathan D. Cohen, 2001). One of the factor   that the researcher seem to control is that he is able to prove that his findings are true by demonstrating his experimental results. The other way he uses is to explain step by step and seems to have a convincing power. The hypothesis in the study is that certain parts of brain and culture are involved when it comes to make decisions concerning morals. The researcher hypothesis was correct. This is because most of the respondents’ answers and results of the brain scanning were in favor of the hypothesis. The brain scanning followed the laid down procedures (Sandra Blakeslee, 2005). When comparing the information in the New York Times and the short journal, the short journal has deeper information than the New York Times’. The key difference is that the researchers were working on the same issue but the researcher in the short journal went an extra step of doing a brain scan. The moral issue is that it is better to provide more reliable outcome. The information provided can be of great value to the society. This will help people to understand why people behave in a manner that is different to them. References Joshua D. Greene, R. Brian Somerville, Leigh E. Nystrom, John M. Darley, Jonathan D. Cohen (2001). An fMRI Investigation of Emotional Engagement in moral judgment. Science Sandra Blakeslee (2001, September 25). Watching How the Brain Works As It Weighs a Moral Dilemma. New York Times

Court Reporting and Legal Journalism Writing Guide

Court Reporting and Legal Journalism Writing Guide So youve been to court, taken good notes on a trial, done all the necessary interviews and have plenty of background. Youre ready to write. But writing about the courts can be challenging. Trials are often long and almost always complex, and for the beginning court reporter, the learning curve can be steep. So here are some tips for writing about the courts: Cut out the Jargon Lawyers love to spout legal terminology - legalese, for short. But, chances are, your readers wont understand what most of it means. So when writing your story, its your job to translate legal jargon into plain, simple English that anyone can understand. Lead With the Drama Many trials are long periods of relatively boring procedural stuff punctuated by brief moments of intense drama. Examples might include an outburst by the defendant or an argument between an attorney and the judge. Be sure to highlight such moments in your story. And if theyre important enough, put them in your lede. Example A man on trial for allegedly killing his wife during an argument unexpectedly stood up in court yesterday and shouted, I did it! Get Both Sides Its important in any news article to get both - or all - sides of the story, but as you can imagine its especially crucial in a court story. When a defendant is charged with a serious crime, its your job to get both the defense and the prosecutions arguments into your article. Remember, the accused is innocent until proven guilty. Find a Fresh Lede Everyday Many trials go on for days or even weeks, so be sure to follow the recommendations for follow-up stories when you cover a long one. Remember, the key is to take the most important, interesting, and newsworthy testimony of any given day and build your lede around that. Work on the Background While the top of your story should be the trials latest developments, the bottom should include the basic background of the case - who is the accused, what is he accused of, where and when did the alleged crime occur, etc. Even when covering a highly publicized trial, never assume that your readers will know all the background of the case. Use the Best Quotes Good quotes can make or break a trial story. Jot down as many direct quotes as you can in your notebook, then use just the best ones in your story.

Chemistry Lab Report Example | Topics and Well Written Essays - 1500 words

Chemistry - Lab Report Example 31). Since acids and bases readily react with each other, it is experimentally quite easy to find the amount of acid in a solution by determining how many moles of base are required to neutralize it. This operation is called titration, and you should already be familiar with it from your work in the Laboratory (Harris 2006, Pg. 06). We can titrate an acid with a base, or a base with an acid. The substance whose concentration we are determining is the substance being titrated; the substance we are adding in measured amounts is the titrant. The idea is to add titrant until the solution has been exactly neutralized; at this point, the number of moles of titrant added tells us the concentration of base (or acid) in the solution being titrated (Harris 2006, Pg. 8). In this schematic reaction, base1 is conjugate to acid1, and acid2 is conjugate to base2. The term conjugate means â€Å"connected with†, the implication being that any species and its conjugate species are related by the gain or loss of one proton. The Arrhenius view of an acid is a substance that dissociates in water to produce a hydrogen ion. There is a serious problem with this, however: the hydrogen ion is no more than a proton, a bare nucleus. Although it carries only a single unit of positive charge, this charge is concentrated into a volume of space that is only about a hundred-millionth as large as the volume occupied by the smallest atom. Owing to its extremely small size, the proton will be attracted to any part of a nearby atom or molecule in which there is an excess of negative charge. Such places exist on any atom that possesses non-bonding electrons, and here that protons attach themselves to the acceptor atom by forming a shared-electron (coordinate) bond with the lone pair (Silbey 2006, Pg. 42). Interestingly, experiments indicate that the proton does not stick to a single H2 O molecule, but changes

Southeast Asia Research Paper Example | Topics and Well Written Essays - 750 words

Southeast Asia - Research Paper Example According to Antonio Pigafetta, the opening of the sea route to South East Asia across to the pacific had a great impact in allowing the Spanish to rule over the South East Asians. According to this author religion played a major role in to create the close relationship between the Spanish and the Spaniards. This is because as the Spaniards traveled over to South East Asia their main objective was to convert people to Christianity besides trading. For this reason, most of the Chinese failed to convert because of their strong religious background based in Islam. However, their belief and trust in God created a close relationship between these two parties. This also ensured that the Chinese had no close relationship with their rulers especially the British and the Dutch. It is believed that the cruel nature of the Dutch and the British created a poor relationship between them and the Chinese. In addition to this, the Dutch and British were more civilized something that also created a b ig disparity amongst them and their slaves. According to Antonio who was an Italian Knight of the Order of St. John of Jerusalem, Magellan instructed all Christians to engage in public conversions (Gullick 18). These conversions laid a basic foundation that was followed by a lot of Roman Catholics from Philippines spreading the gospel. It is believed that this association is what led to a close relationship between the Dutch and the Spaniards. On the other hand the Chinese were so involved in their traditions.

Annotated Bibliography Essay Example for Free

Annotated Bibliography Essay An Annotated Bibliography: Stereotypes in Advertising August, Eugene R. Real Men Dont: Anti-Male Bias in the English Language. The University of Dayton Review Spring (1986): 336-347. Web. In Real Men Dont: Anti-Male Bias in the English Language, Eugene August states that men have been victims of negative bias equally if not more than women through gender restrictive language, which limits the roles men have, gender exclusive language, which excludes men from any type of consideration, and negative male stereotypes. Throughout the article August gives examples of ways in which males ave been forced to fit a certain role and if deviated from, they would be criticized and ultimately excluded from that party they were formerly attached to as an example of gender restrictive language. I agree with August in his arguments, but I would be a little more generous when finding victims on this subject. Women have been made victims Just as long, if not longer than men have. I feel as if the male community is lashing out against the women, almost I a way on giving then a taste of their own medicine. Yet in reality I shouldnt be structured as a war of the sexes, but ather an attempt on the part of all sexes, to acknowledge and condemn gender stereotypes. Berger, John. Ways of Seeing. 1972. London, Penguin, 1990. In the book, Ways of Seeing Ch. 7, John Berger tells us that the role of publicity has evolved from oil paintings. Publicity images draw on the visual language of oil paintings, but their purpose is to manufacture glamour. This is due to the fact that the spectator-buyer is always changing, publicity aims to sell us something, and in order to do this it must make the spectator-buyer appear incomplete to his or herself. It must make us think we are in need of something more. The more, is a dream that is created from the spectator-buyer, using the mystique and lure from what publicity has given them of how they can become more derisible, by imposing a false standard of what and what is not desirable. I have a similar opinion to that of Berger. I feel that publicity is not natural, but the product of a culture that defines an individual by what they possess. This idea of identity has been prostituted to a culture that tells an individual that they are no one if they do not buy the life publicized. The interesting point that Berger makes is that publicity never paints the full picture for the consumer. It only provides the tools and a canvas for which to paint. Publicity allows the spectator-buyer, to paint for his or herself of what he or she could be. It is not obscence to suggest that this has become the lifeblood of our publicity promise of transformation. Fowles, Jib. Advertisings 15 Basic Appeals. Mass Advertising as Social Forecast. Santa Barbara: Praeger, 1976. (16-27). Print. In the article, advertisings 15 Basic Appeals written by Jib Fowles, we learn that dvertisements make an attempt to reach out to one or more of our 15 basic emotions as outlined by Fowles. These are the fifteen basic emotional appeals that we as humans need, and if crafted correctly, might result in us engaging in the advertised product. As we learn of these essential needs, we learn that advertisements are not so thoughtless as we may have previously assumed. We learn that it is an art. The emotional appeals made in these advertisements act as the thin end on a wedge, when driven in to our conscious it then allows for the true message o flow in without almost any defense, thus accomplishing its purpose. I completely agree with the claim that Fowles made in his article. Advertisers seek to highlight and ultimately tap into our emotions to use them to persuade us into using the given product. One such emotion that is highlighted is the need for affiliation. Despite the fact that recent statistics have shown that people are doing things on their own more than ever before, the majority of advertisements are linked to this basic and fundamental emotion. This is because, Just as we as a people have an inner desire to chieve things on our own, we also need Just as much if not more than our independence, people to share in our achievements. Fowles does a great Job in highlighting this fact as well as many others in his article based on our 15 basic emotions. Kilbourne, Jean. Bath Tissue Is Like Marriage: The Corruption of Relationships. Cant Buy My Love: How Advertising Changes the Way We Think and Feel. New York: Touchstone, 1999. (76-94). Print. In the article, Bath Tissue Is Like Marriage: The Corruption of Relationships, Jean Kilbourne speaks out about how advertisements sink into our deepest needs for love and nurturing, and transfer them onto any given product. In order to accomplish this, advertisers must be able to capture our attention with something that the consumer yearns for, and then make the underlying message about how their product will achieve this goal. We learn that the roles of an advertiser not to care about the potential buyer, but to make the consumer feel as if they are loved. When an advertisement is able to lull us into a false sense of security, then it has ccomplished its Job. Kilbourne concludes with exposing that advertising has come to the point of promising that a product can deliver that which can only be given given by Kilbourne. In her article she sates that that advertisements exist to exploit or very real and inner human desires. As we look at advertisement in any medium, we find out that until we have associated ourselves with a certain product or brand, we are not enough. Whether it be ads replacing human relationships, men dominating women, or even that one cell phone is superior to another, all tug at the need to be n top, and without these products we are found wanting. But the hang up with the promise of accomplishment from a product is that it only last as long as the ads. Every time we turn on the television or the radio, we are exposed to hundreds of ads that dissect everything that is human about us and assigns a product to it. We shall ever be found wanting in the eyes in the world, the only escape is for us to search for what truly matters and stick to it. Wall, David. It Is And It Isnt: Stereotypes, Advertising And Narrative. Journal Of Popular Culture 41. (2008): 1033-1050. Academic Search Premier. Web. 29 Sept. 2013. In the article, It Is And It Isnt: Stereotypes, Advertising And Narrative. by David Wall, is claimed that stereotypes in advertising are still being used because they are still a viable way for advertisers to move a product because of familiarity. A point that Wall makes is that consumers see through the stereotype and the false climas made by advertisers, and the advertisers know this. So what the advertiser does is then play on manipulation of the mixed emotions of desire and anxiety. The product then ecomes, by the consumers own doing, the essence of happiness, freedom, and the channel to an altered paradisiacal reality. I agree with the claims made in this article. Interestingly enough Wall makes the accusation stereotypes will tell us much more about those doing the representing than those being represented(1037). This is interesting because in the rest of the article Wall discusses the fact of stereotyping and the reasons behind it, political, historical, cultural, and so on. But he never really comes back to his very strong comment. I would go a step further with this remark nd say that not only do stereotypes in advertisements reflect what the presenters think about different situation, but what the presenter believes the viewer-consumer believes about different situations. For the viewer not to be overly effected by the stereotypes they are exposed to, they need to learn, what Wall calls the language of analysis. Which is to allow those whom are targeted to see beyond smoke and mirrors of it all and understand stereotype as a form of cultural advertisement for the self that is inseparable from the wider cultural narratives that create it(1049).

Morning Sickness :: essays research papers

Why do they call it morning sickness if I feel nauseated all day long? About three-quarters of all pregnant women have nausea (and sometimes vomiting) during their first trimester. For some, it's worse in the morning and gets better over the course of the day, but "morning sickness" can strike at any time. The nausea usually starts around 6 weeks but can come on as early as 4 weeks for some women, and it usually tapers off around 13 weeks as you start your second trimester, although queasiness can come and go throughout your pregnancy. What causes nausea and vomiting during pregnancy? No one knows what causes nausea during pregnancy, but it's probably due to some combination of the many physical changes taking place in your body. Some possible causes include: †¢ Rapidly increasing levels of hCG, estrogen, and other hormones during early pregnancy No one knows why they may contribute to your nausea, but the timing is right: Nausea tends to peak around the same time as your levels of these hormones do. †¢ An enhanced sense of smell and sensitivity to odors. It's not uncommon for a newly pregnant woman to find that she's now overwhelmed by the smell of a bologna sandwich from four blocks away, for example, and that certain aromas instantly trigger her gag reflex. This, too, may be a side effect of rapidly increasing estrogen in your system. †¢ A tricky stomach. Some women have a gastrointestinal tract that's more sensitive to the changes they're undergoing in early pregnancy. One study even found an association between h. pylori (a gastrointestinal bacteria that can cause ulcers) and severe nausea during pregnancy, although no one knows why the two may be related. You may have heard that morning sickness can be caused by a B vitamin deficiency. While taking a vitamin B6 supplement does seem to help ease nausea in many pregnant women, that doesn't mean they have a vitamin deficiency. In fact, at least one study has shown no significant differences in the levels of B6 in women with morning sickness and those without it. No one knows why B6 is helpful. Some researchers also believe that stress and emotions may also play a role in morning sickness, but it would be hard to say whether it's stress causing the nausea or the other way around. Are some pregnant women more likely than others to have nausea?

Engaging with God: A Biblical Theology of Worship Essay

As is well known, the urge to worship is an innate drive of humankind. Through the ages, people from all walks of life have appealed to a deity for assistance, protection, and salvation. Then, through various ceremonies of praise and thanksgiving, countless societies have expressed appreciation for the bounties of life. Further, chapter seven blatantly stresses that the idea during the ancient times in building the church and the assembly of the people for service to God has been a consistent aim in providing the needs of humankind in the most spiritual sense of sagacity. As the Roman Empire crumbled and Christianity ascended, early Christians adopted the basilica as a temple for worship, adapting a secular dwelling to religious needs. The dominance of its form and the dignity of its purpose in accommodating the liturgical needs of the Church seem to have appropriately reflected the triumph of Christianity. But Paul’s use of the word â€Å"justification† has been greatly misunderstood in contemporary theology. For Paul, justification does not denote an event or process by which one is saved. Justification is not â€Å"so much about soteriology as about ecclesiology. † It’s far more concerned with discerning â€Å"who is in† rather than the process through which one â€Å"gets in. † Justification is concerned about how one can discern â€Å"who is a member of the covenant family. † Faith is the â€Å"badge of covenant membership, not something someone ‘performs’ as a kind of initiation test. † The law court is the â€Å"metaphorical mean through which the covenant purposes of God are fulfilled. Some people may even call God different names but the level ground that all these people have is the belief in something higher than the mortal soul. Although some may refute this as merely assumptions but investigating the self clearly, there is this certain uncertainty of being a mortal, of being a mere human being. However, this may be beside the point. Religious tolerance can not only promote appreciation for other religions but it could also stop religious conflicts. People have tendencies on neglecting what is basic on the Commandments of God, it on love thy neighbors and if this love would necessitate tolerance then peaceful interactions could be attained. However, Paul remained in the belief that through the structure of the church, and the gathering of the people in edification, what is seemingly important in such scenario is the idea that these individuals come together in the light of praising God—that whatever it is that may have possibly been â€Å"different† within each other, is not a hindrance to praise one God and spread the word to humankind in that instance. Moreover, incorporating certain characteristics of Greek architecture, but often surpassing it structurally, the ancient Roman temple was likewise a magnificent work of stone visually representing the important role of religion in society. Reflecting the values of secular society, the Roman basilica, a court building and meeting hall, similarly evolved into an imposing form, also prominently situated, while the exterior of the Classical civic temple projected monumentality appropriate for a central public building, the interior, with its spatial organization of narthex, nave, and chancel, echoed solemnity of important functions, including religious ceremonies. Rows of columns defining side aisles adjacent to the nave effused dignity of purpose while rhythmically moving the eye forward to the chancel with its sacred altar. Review on Chapter Nine What is going on around them, in the social and political life of their power of false religion? In most part of the world, Jesus Christ is not a stranger in concept and in fame. Some books in the Holy Bible were even devoted to discussing and retelling the life of Jesus Christ. It could be seen then that the main writers or proponents regarding the accounting of Jesus’ life and works were written by Matthew, Mark, Luke and John. Few words are as deeply freighted as â€Å"religion,† and few raise so many questions. If the first is â€Å"What is the meaning of life? † others follow rapidly. At the pedestrian level of empirical discourse, some obvious ones arise. Is religion one or several? If the latter, what do they have in common, and why are there so many of them? How did they arise? Why are they so different? What has determined their content and their demographic boundaries? What distinguishes religion or religions from other types of human conduct? Why do particular religions emerge and disappear? Is religion a social phenomenon or a property of individuals? Are all individuals religious? Is religion a delusory form of wishful thinking or a kind of understanding? Is it an unavoidable aspect of human existence or a characteristic of one phase of human history? To all these questions and more, different people will give different answers, but one thing is certain: the answers we give on the empirical level will depend on the way we conceive of our humanity. In the light, â€Å"religion† came to designate something apparently common to all peoples: their avowal that they were obligated by supernatural powers to act in certain ways. But beyond that vague similarity, the term had no specific content. Religion was only real, observable, and meaningful in its concrete instances, Latin polytheism, Judaism, Catholicism, Lutheranism, and so forth, and that rich meaning was provided by the adherents of each of those religions themselves. â€Å"Religion† had no ontological status beyond that of a convenient term to point to an amazing variety of real, but mutually contradictory, sets of beliefs about gods or god and the conduct by which they were expressed. One of the most notable conflicts that have been debated by many scholars since the medieval ages is the controversy regarding the place of philosophy and religion in a society. The two have been used to attack each other in order to uphold their own credibility. The study of Philosophy is directed towards the speculation of the things that govern the world and its processes, and the nature of man and his relationship with other individuals as well as with the world (Gasset, 1964). Philosophy attempts to scrutinize and make rational explication of almost everything that can be grasped by the human mind. Yet, it does not really provide sufficient and concrete answers to all its queries. Religion, on the other hand, focuses its scope on explaining things and phenomena that cannot be explained by science and at some point even those that cannot really be made explicit by philosophy. It tries to give reason for everything that is happening. Its justification for every reason that it provides is primarily founded on faith (Nasr, 1996). Hence, by faith, it need not be verifiable. A strong faith or believe could suffice one’s doubt and hesitation.

Bromination of trans-cinnamic acid Essay

Abstract The bromination of trans-cinnamic acid was completed to determine dibromide’s stereochemical structure and its mechanism. After the addition of bromine to trans-cinnamic acid, the product was identified by its melting point and infrared spectrum resulting in erythro-2,3-Dibromo-3-phenylpropanoic acid after comparing similar properties. Introduction In this lab, the bromination of trans-cinnamic acid was completed to determine dibromide’s stereochemical structure, and from there determine whether the reaction is carried out by the usual bromonium ion mechanism or a different mechanism. This is important in the determination of dibromide’s stereochemical structure, as a mechanism can be affected by changing a reactant’s structure. Cinnamic acid was used in this lab because as a naturally occurring compound, it has many different uses. It is used as a flavoring, in perfumes, and is a source to a large number of other natural substances. Cinnamic acid is helpful in providing flowers with their bright colors, butterflies with their colorful wings, and gives fall leaves their distinguishable color. These examples reveal the day-to-day uses of cinnamic acid, and shows that the addition of bromide to this particular acid is nothing extremely complex or an uncommon chemical compound, it is easily obtainable. After the addition of bromine to trans-cinnamic acid, the product is identified by its melting point and infrared spectrum. The product could be erythro-dibromo, threo-dibromo, or a combination of both. Although obtaining a product consisting of both erythro and threo is possible, it results in an impure substance with a broad melting point range that contrasts pure dibromide. These particular compounds of erythro and threo are named as such to distinguish their two chiral centers, but no plane of symmetry. Both of these compounds are derived from simple sugars, erythrose and threose (Figure 1). Figure 1. Structures of Erythro and Threo Products Compared to Erythrose and Threose After completing the addition of bromine ion acetic acid to a solution of trans-cinnamic acid in the same solvent, the product that is obtained can be identified by comparing the properties of erythro-2,3-Dibromo-3-phenylpropanoic acid and threo-2,3-Dibromo-3-phenylpropanoic acid. Results and Discussion Melting Point: The melting point was determined to be 202 °C, which is extremely close to the literature value of erythro-2,3-Dibromo-3-phenylpropanoic acid, 204 °C. This is the first indicator that the product obtained possess a stereochemical structure resembling erythro-2,3-Dibromo-3-phenylpropanoic acid. Infrared Spectrum: The Infrared Spectrum’s collected from the starting material and the product look almost identical, with functional groups C=O(1700 cm-1), O-H(3300-2600 cm-1), and C=C (1680-1640 cm-1) present. Mechanisms: Although a variety of mechanisms can be suggested for the addition of bromine to an alkene, the addition of bromine to the C = C in our final product illustrates an anti-addition. Experimental The reaction was done in the fume hood with proper safety gloves on throughout the entire experiment. 10.0 mmol of trans-cinnamic acid was combined with 6.0 mL of glacial acetic acid with a stirbar in a 50 mL round-bottom flask. The round-bottom flask was placed on a magnetic stirrer with a separatory funnel over the flask with the stopcock closed. 8.2 Ml of 1.25 M solution of bromine in acetic acid was poured into the separatory funnel and stoppered immediately. After starting the stirrer, the bromine/acetic acid solution was added in 5 portions once the color had faded to a light orange, about every 6 minutes, totaling 30 minutes for this process. Once the last addition of the bromine solution was added, the reaction stirred at 50 °C for 15 minutes. At the end of the 15 minutes,  cyclohexenes were added drop wise while the stirring continued until the solution was colorless. To separate, the mixture was cooled in ice water until crystallization was observed. Through vacuum filt ration, the solid product was collected and rinsed with portions of ice cold water until the odor derived from the acetic acid had disappeared. The 2.3-dibromo-3-phenylpropanoic acid was dried in order to measure its melting point. References 1 Experiment is a modified version of an experiment found in: Lehman, J.W. Operational Organic Chemistry: a problem-solving approach to the laboratory course, 3rd ed., Prentice-Hall, Upper Saddle River, New Jersey, 1999. 2 www.sigmaaldrich.com 3. www.chemicalbook.com

A Mighty Fortress Is Our God Essays

A Mighty Fortress Is Our God Essays A Mighty Fortress Is Our God Essay A Mighty Fortress Is Our God Essay A Mighty Fortress Is Our God In order for there to be any kind of interest, relationship, or in other words a preoccupation of any matter, there must be some sort of acknowledgement. For instance, when we take a look at the scientific method, we know that in order to make a hypothesis there must first and foremost be an observation. Once a strong observation is in place, it is only natural to become intrigued or maybe Just aware of the potential harm of something. In the hymn A Mighty Fortress Is Our God, written by Martin Luther, a sense of acknowledgement of the devil is quite evident. The people of this hymns era had an understanding that there were evil forces that did not coincide with their heavenly father. And though this world, with devils filled, should threaten to undo us, We will not fear , for God hath willed His truth to triumph through us. So because these people had an understanding, or rather an acknowledgement that there were devils (witches/demons/sorcerers) in their mist it became natural to draw attention to the issue. Once the attention is drawn, people start to become preoccupied; hence the literature, songs, and beliefs about the devil. Another way to become preoccupied or to portray evidence that interest is being shown is for one to begin to compare or give titles. Throughout the hymn Luther threw in some startling titles of the devil that might have been commonly used in his era. Such include the prince of darkness, evil force, and the ancient foe. These titles are all examples that the people of this era are ended giving interest to the devil, Just as they would give God titles and attention to. In terms of the music itself the organ in the background or sounds if you will, enhance and portray a very majestic and royal setting. Almost as if triumphing over someone or something ; which at the time would be God triumphing over the devil for his people. Luther did well in using this particular instrument for his hymn, because its been used to glorify God in so many classical music and even in music today.

How to Write Dialogue That Captivates Your Reader

How to Write Dialogue That Captivates Your Reader How to Write Dialogue That Captivates Your Reader And unfortunately, your first reader will be an agent or an editor. You can’t slip anything boring past them. Your job is to make every word count. That’s the way to keep your reader riveted until the final page- no small task. Making every word count is how to write compelling dialogue. Readers love dialogue because: It breaks up intimidating blocks of narrative summary. It differentiates (through dialect and word choice) and reveals characters. Done well, it can move the story without author intrusion. But, as you have likely discovered, writing great dialogue is hard. If yours is bloated or obvious or telling or is in any other way uninteresting, readers won’t stay with you long. So how about we leave them no choice? Need help writing your novel?  Click here to download my ultimate 12-step guide. How to Write Dialogue in 6 Steps Cut to the Bone Reveal Backstory Reveal Character Be Subtle Read Your Dialogue Out Loud Create a Make My Day Moment Step 1. Cut to the Bone Unless you need to reveal a character as a brainiac or a blowhard pretending to be one, omit needless words. Obviously, you wouldn’t render a conversation the way a court transcript includes repetition and even um, ah, uh, etc. But even beyond that, see how much you can chop without losing the point. Like this: â€Å"What do you want to do this  Sunday?  I thought wWe could go to the amusement park.† â€Å"I was thinking about renting a rowboat,† Vladimir said.  on one of the lakes.† â€Å"Oh, Vladimir, that sounds wonderful! I’ve never gone rowing  before.† That doesn’t mean all your dialogue has to be short and choppy- just that you’ll cut the dead wood to keep to the point. You’ll be surprised by how much power it adds to your prose. Step 2. Reveal Backstory Layering in backstory through dialogue is another way to keep your reader turning pages. Hinting at some incident for the first time is an automatic setup that demands a payoff. Example: As they headed toward the house, Janet whispered, â€Å"Can we not have a repeat of Cincinnati?† Jeanie shot her a double take. â€Å"Believe me, I don’t want that any more than you do.† â€Å"Good,† Janet said. â€Å"I mean- † â€Å"Can we not talk about it, please?† What normal reader wouldn’t assume they will talk about it at some point and stay with the story until they do? As the story progresses, you can reveal more and more about your protagonist’s past and have your story come full circle. This accomplishes two things: it offers a setup that should intrigue the reader, and it helps you avoid flashbacks. Need help writing your novel?  Click here to download my ultimate 12-step guide. Step 3. Reveal Character Your reader learns a lot about your characters through dialogue. You don’t have to TELL us they’re sarcastic, witty, narcissistic, kind, or anything else. You can SHOW us by how they interact and by what they say. Step 4. Be Subtle Dialogue can accomplish a number of tasks. Here are three: 1. Subtext- where people say other than what they mean. This can be fun. Example: My friend sold a short story to a general-market magazine years ago about a girl named Cindy who falls in love with the slightly older boy next door, who sees her as just a little sister type. When they get to high school, Tommy is the big man on campus, captain of the football team, dating the head cheerleader, and pretty much ignoring Cindy. She’s just his younger neighbor and friend. Tommy leaves for college and word soon gets back to Cindy during her senior year of high school that he and his girlfriend have broken up. So when he comes home after his freshman year of college and is changing a tire on his car, Cindy just happens to walk outside. She strikes up a conversation with Tommy, and he looks up, stunned. Who is this beautylittle Cindy from next door? She says, â€Å"Making a change, are you?† Tommy looks at the tire and back at her and says, â€Å"Yeah, I actually I am making a change.† Cindy says, â€Å"Well, I’ve heard that rotating can be a good thing.† And he says, â€Å"Yeah, I’ve heard that too.† That’s subtext. They’re not saying what they really mean. They’re not really talking about changing the tire, are they? 2. Sidestepping- when a character responds to a question without answering it. Instead, what the character says is so profound and unexpected that it offers a whole new understanding of what’s going on. Example: In the movie Patch Adams, the late Robin Williams played a brilliant young doctor who believes the Old Testament adage that â€Å"laughter is the best medicine.† He goes into the children’s cancer ward of a hospital wearing an inflated surgical glove on his head, making him look like a rooster. He wears bedpans for shoes and stomps about, flapping his arms and squawking. The children find it hilarious, but hospital directors consider it undignified and demand he stop. Patch Adams is trying to make one girl in particular- a hospital volunteer- laugh. But while everyone else thinks he’s funny, she never cracks a smile. Finally, Patch leaves the hospital to open a clinic in the country. Imagine his surprise when that humorless young lady appears to help him set up. At one point, she goes outside to rest, so Patch follows and sits opposite her. He says, â€Å"I’ve got to ask. Everybody thinks I’m hysterical, but you. I’ve tried everything. What is it with you? Why don’t you ever think anything I say is funny?† After several seconds of silence, she says, â€Å"Men have liked me all my lifeall my life† And we realize by the way she says it, she was abused as a child. Suddenly, we understand what this girl is all about. She doesn’t trust men, and she doesn’t laugh, because life isn’t funny. The way she responded did not answer his question. Her problem had nothing to do with him or his humor. Finally, Patch realizes that some things aren’t funny. Some things you just don’t make fun of. Sometimes, you need to quit cracking jokes and just listen. It’s a great turnaround in the story. And an example of sidestep dialogue. 3. Silence The old truism that silence can be golden rings true for our last technique. Many, including Abraham Lincoln, have been credited with the line: â€Å"Better to remain silent and be thought a fool than to speak and remove all doubt.† One of the toughest things to learn as a writer is to avoid filling silent gaps. Just like we shouldn’t tell what’s not happening in a story, neither do we need to write that someone didn’t respond or didn’t answer. If you don’t say they did, the reader will know they didn’t. Example: â€Å"Well John,† Linda said, â€Å"what do you have to say for yourself?† John set his jaw and stared out the window. â€Å"I’m waiting,† she said. He lit a cigarette. Linda shook her head. â€Å"I swear, John, honestly.† Now, too many writers feel the need to write here, â€Å"But he refused to say anything,† or â€Å"But he never responded.† Don’t! We know, we get it- and it’s loud, effective, silent dialogue. The reader knows because John is saying nothing, and yet saying everything. Silence is golden. Step 5. Read Your Dialogue Out Loud One way to be certain your dialogue flows is to read it aloud or even act it out. Anything that doesn’t sound right won’t read right either, so rewrite it until it does. Step 6. Create a â€Å"Make My Day† Moment Certain iconic lines of dialogue have become as legendary as the films and books they originate from: â€Å"Frankly my dear† â€Å"There’s no place like home.† â€Å"We’re not in Kansas anymore.† â€Å"To my big brother George, the richest man in town.† â€Å"What we have here is failure to communicate.† â€Å"Go ahead, make my day.† â€Å"May the force be with you.† â€Å"Houston, we have a problem.† â€Å"Run, Forrest, run!† â€Å"You had me at hello.† Most writers - even bestselling novelists - never create such an unforgettable line of dialogue. But striving to create one is a worthy effort. Ironically, it should fit so seamlessly it doesn’t draw attention to itself until fans begin quoting it. How to Use Dialogue Tags to Identify Speakers Dialogue attribution tags- he said, she said, etc.- indicate who is speaking. Resist the urge to get creative here. Said is almost always your best choice. Teachers who urge you to find alternatives are usually unpublished and believe agents and editors will be impressed. Trust me, they won’t be. Avoid mannerisms of attribution. People say things. They don’t wheeze, gasp, sigh, laugh, grunt or snort them. They might do any of those things while saying them, which might be worth mentioning, but the emphasis should be on what is said, and readers just need to know who is saying it. Keep it simple. All those other descriptors turn the spotlight on an intrusive writer. Sometimes people whisper or shout or mumble, but let their choice of words indicate they’re grumbling, etc. If it’s important that they sigh or laugh, separate that action from the dialogue. Jim sighed. â€Å"I can’t take this anymore.† Not: Jim sighed, â€Å"I can’t take this anymore.† Though you read them in school readers and classic fiction, attribution tags such as use of reply, retort, exclaim, and declare have become clicheÃŒ d and archaic. You’ll still see them occasionally, but I suggest not using them. Often no attribution is needed. Use dialogue tags only when the reader wouldn’t otherwise know who’s speaking. I once wrote an entire novel, The Last Operative, without attributing a single line of dialogue. Not a said, an asked, anything. I made clear through action who was speaking, and not one reader, even my editor, noticed. A common error is characters addressing each other by name too often. Real people rarely do this, and it often seems planted only to avoid a dialogue tag. Fictional dialogue should sound real. Don’t start your dialogue attribution tag with said. Rather, end with said. said Joe or said Mary, reads like a children’s book. Substitute he and she for the names and that will make it obvious. said he or said she just doesn’t sound right. Use said after the name for the best sound. Joe said or Mary said. Resist the urge to explain, and give the reader credit. The amateur writer often writes something like this: â€Å"I’m beat,† exclaimed John tiredly. Besides telling and not showing - violating a cardinal rule of writing - it uses the archaic exclaimed for said, misplaces that before the name rather than after, and adds the redundant tiredly. The pro would write: John dropped onto the couch. â€Å"I’m beat.† That shows rather than tells, and because John’s action has been described, we don’t need an attribution tag to know he’s speaking. How to Punctuate Dialogue Few things expose a beginner like incorrect punctuation, especially in dialogue. Agents and editors justifiably wonder if you read dialogue, let alone whether you can write it, if you write something like: â€Å"I don’t know.† she said. Or, â€Å"What do you think?† He said. To avoid common mistakes: Start a new paragraph for each speaker When one character’s dialogue extends to more than one paragraph, start each subsequent paragraph with a double quotation mark, and place your closing double quotation mark only at the end of the final paragraph. Place punctuation inside the quotation marks, the dialogue tag outside: â€Å"John was just here asking about you,† Jim said. The attribution tag goes after the first clause of a compound sentence: â€Å"Not tonight,† he said, â€Å"not in this weather.† When dialogue ends with a question or exclamation mark, the dialogue tag following the quotation marks should be lowercase:   Ã¢â‚¬Å"I’m glad you’re here!† she said. Action before dialogue takes a separate sentence: Anna shook her head. â€Å"I can’t believe she’s gone!† Quoting within a quote requires single quotation marks: â€Å"Lucy, Mom specifically said, ‘Do not cut your bangs,’ and you did it anyway!† When action or attribution interrupts dialogue, use lowercase as dialogue resumes: â€Å"That,† she said, â€Å"hurt bad.† Dialogue Examples If you’re old enough to remember the original Twilight Zone (hosted by Rod Serling) or Dragnet (starring and narrated by Jack Webb), you know how dialogue set the tone for their shows. Serling was sometimes whimsical, sometimes mysterious, but always provocative. â€Å"Consider one middle-aged adult, lost in space and time†¦Ã¢â‚¬  Jack Webb, as L.A. police detective Sergeant Joe Friday, was always deadly serious and monotone. â€Å"Just the facts, ma’am.† Contrast those with the dialogue between Tom and his Aunt Polly in Tom Sawyer. If you’re anything like me, you were laughing from page 1. There! I mighta thought of that closet. What you been doing in there? Nothing. Nothing! Look at your hands. And look at your mouth. What IS that truck? I dont know, aunt. Well, I know. Its jam- thats what it is. Forty times Ive said if you didnt let that jam alone Id skin you. Hand me that switch. The switch hovered in the air- the peril was desperate- My! Look behind you, aunt! The old lady whirled round and snatched her skirts out of danger. The lad fled on the instant, scrambled up the highboard fence, and disappeared over it. Great dialogue can set the tone for your entire story and also differentiate characters, as we discussed earlier. In Huckleberry Finn,  Mark Twain delineates between Huck the Southern white boy and Jim the runaway slave by just hinting at their respective accents. Twain doesn’t use tags to tell who’s speaking, yet the reader never confuses the two. Huck says, â€Å"Jim, did y’all ever see a king?† Y’all is the only word in that sentence that implies a Southern accent, but it’s enough. Jim says, â€Å"I sho enough did.† Huck says, â€Å"You liar, Jim. You never seen no king.† Jim says, â€Å"I seen foh kings in a deck of cards.† Huck’s bad grammar and Jim’s sho and foh are the only hints of their dialects. Contrived phonetic spelling would slow the reading, but look what Twain accomplished with simple choices. The Cardinal Sin of Dialogue The last thing you want is to produce on-the-nose dialogue. Apply to your own work those principles and the tools I’ve outlined here, and I believe you’ll immediately see a huge difference. So will your reader. In the Comments, ask me any questions regarding how to write dialogue. Need help writing your novel?  Click here to download my ultimate 12-step guide.

Operation management project Essay Example | Topics and Well Written Essays - 1000 words

Operation management project - Essay Example Corporate objectives of the company are to improve and deliver superior customer service, reduce expenditure and at the same time increase revenues, develop best in the region utility infrastructure, etc. The target customers of AADC includes the entire population of the Al Ain region which the city of Al Ain and the rural areas surrounding the city. The population of the region is close to half a million. The business activity of AADC involves the following main processes: Customer Services – Electricity, Customer Services – Water, Urgent Services – Electricity, Urgent Services – Water, Management of Financial Activities, Update and Archive Customer Information, Planning and Performance Evaluation, Internal Audit, Other Services and Contact Center Services. All the above mentioned processes involve various other sub-processes which can not be involved in this report hence the report will only concentrate on the Load Demand Notification sub-process under the main process of Customer Services – Electricity. The customer is required to submit a request for electricity services along with various other required documents for the approval from AADC. The customer is required to submit the request for electricity load requirements prior to the commencement of a project. The customer can submit the request either through the counter or the website. A surveyor/technician then visits the site to inspect if LV power feed can be provided. If LV power feed can not be provided to the site, then the request is transferred to the Asset management department. Also the form is sent to the client through the web if the request was placed through the website. If LV feed can be fed to the site, then the capacity on the LV network is checked by an engineer. If the LV network is not available the case is then transferred to the Asset management division. If the LV network is available the electricity room is located by an engineer to determine the source